Blog Essay: ‘Down Comes The Night’ and examining Gothic Literature

When one considers the term ‘Gothic Literature,’ notably specific images come to mind: abandoned castles or manors, crumbling architecture, flickering candlelight, and an eerily quiet, almost chilling atmosphere. In this essay, I set out to examine the gothic elements that Allison Saft’s Young Adult debut Down Comes The Night (2020) utilizes, that present it as a truly classic gothic tale.

An essential ingredient for any piece of gothic literature is setting. The locale is crucial because it is through the descriptive language, minute details and history that we see it slowly become almost its own character within the story. For DCTN, that is undoubtedly the secluded estate of Colwick Hall, where our heroine Wren Southerland travels to in order to heal a servant according to its eccentric owner, Alistair Lowry.

Saft’s novel takes place in a world where there are countries with long-standing histories, a centuries-long war leaving two magical countries (Danu and Vesria) reeling with unresolved conflict. In addition, an isolated territory known as Cernos, which possesses no magic so in this case, it has largely kept to itself. Using a medical science-based magic system, Saft’s choice of words from the description of the magical vein where the protagonist connects with her magic or the anatomy terminology describing bone, blood, tissue, etc. is used to further provide a particular ambience. In addition to the reliance on what can be presumed to align with the Victorian era plus 19th Century technology, there’s a blend of the macabre and magical that brings ‘Down Comes The Night’ to life.

Gothic literature also uses setting to establish a divide or isolation for the protagonist, making the reader feel a sense of unease, or even a fear at the uncertainty. 

Wren could make out the enormity of the hall, it’s startling emptiness…Everything outside the candelabra’s unsteady reach swam indistinctly, as if the house breathed and stirred the shadows like wind over still water…

(Ch. 8, 120)

Aligned with the setting is the atmosphere, and in this case Saft presents a deeply rooted winter backdrop seen through the various locations that Wren travels to throughout the novel from the abbey where all healers are trained, her journey to Colwick to even the estate itself. 

Weather, in this case the established winter season present throughout the novel, is a facet of atmosphere which provides another layer in which to explore even more vital elements of Gothic literature. Across the various locales, the mood of this story is made clear through character, setting, and a more obvious way to showcase the inner or undisclosed feelings of the cast.

Examples of this are heavily implied and stated throughout the text by associating the winter climate with words such as “cold,” “frost,” “chill,” among others. By using these types of descriptors Saft has not only directly presented the reader with an ambience of which to perceive this story, but it also serves as a function in which readers “decode the inner landscape of the protagonists…” according to Marquette Library’s Glossary Of The Gothic entry which provides a definition for the element of weather in this type of story.

Snow-smothered fields sprawled for miles…The wind whistled through the abbey’s towers. Cold bit through her cloak…if she stayed still too long, she feared she’d go brittle and crack…

(Ch. 6, 96)

Next, another important element of this sub-genre is emotion. Saft explores this overtly and rather brilliantly through the protagonist and heroine, Wren Southerland, healer in the Queen’s guard of Danu. Driving her decisions at every turn, whether it’s for the unresolved feelings she has for her commanding officer and best friend Una, the sense of duty she feels to seek out her missing comrade, the deep, complicated emotions she feels for the sworn enemy of her kingdom Hal Cavendish, even the opening scene where she can’t stand idly by while seeing a prisoner injured in the snow, the exploration of this is essential to her makeup and gives the novel in my opinion, a unique twist.

Throughout the plot, Wren is penalized and often seen as “foolish” for relying heavily on her emotions and empathy in response to situations she finds herself in. However, Saft never paints this a weakness for the heroine, but a strength she learns to accept about herself despite what she’s been taught.

Could that be true? After everything she’d endured because of her emotions, after everything Isabel and Una had told her, could she really believe that?

Yes, some buried part of her said. Isn’t that what makes us strong?

(Ch. 28, 430)

A more obvious example of this is when Wren, over the course of the story, learns to confide in Hal and their romance is a symbol for the “hope” of bringing peace to their lands. Wren learns to overcome her uneasiness around him as the ‘Reaper Of Vesria’ through compassion, empathy, and understanding. 

Even before the start of the novel, it’s clear Saft intentionally meant for this element of Wren’s character to be a monumental piece of her identity and for like-minded readers to admire going in at the start of the dedication: “For all the girls who feel too much.”

In perhaps a more subversive or allegorical way of presenting us with this component of a Gothic novel, Saft allows our heroine to clearly and genuinely wear her emotions on her sleeve.


Notes 📝🖊
1. Page numbers when referencing the text, corelate to a digital ebook, which may not reflect the accurate page numbers in a physical copy

What did you think about this literary DCTN essay? Did you pick up on these elements while reading Saft’s novel that clearly presented it as Gothic? What do you enjoy the most about these kinds of novels?

In recent months I noticed that I’ve become more interested in deep-dives (like video essays) or literary analysis of media and fiction. I don’t often see posts like this about books and thought this would be great starting point for new kind of content on the blog introducing literary-type essays. There was quite a bit of research I did for this post and genuinely I had a fantastic time bringing it all together. I’m hoping to deliver more posts like this about YA Books and would love your feedback on this first one! Thank you for reading! 📚💖

10 thoughts on “Blog Essay: ‘Down Comes The Night’ and examining Gothic Literature

    1. I appreciate your wonderful comment Cossette, thank you for reading! 🥺💖 I’ve been meaning to make more in-depth content like this for so long and as a fan of Allison’s books, so glad my post resonated and was a fun read for you! + can’t wait to read ‘Wilder Magic’ it sounds so interesting. Thanks Cossette! 😭💞

      Like

    1. Sadly not, I do wish I could’ve written essays like this for school though! 😂💖 I agree, I think for this book the author really explored the theme of emotions so well! Thank you for reading Jasmine and for your lovely comment! 😌💞

      Liked by 1 person

  1. I loved this post! It’s a great way to get a more in depth feel for a book or a certain genre. I’m a big fan of gothic literature but I’ve mostly read much older gothic novels, so it’s super interesting to read about how gothic traditions have been brought into modern books! 📚❤️ X x x

    Liked by 1 person

    1. wow, thank you so much Florence, that means a lot! 🤗💕 I agree, I actually read a lot of newer releases but the genre has always fascinated me so I had a great time seeing what’s being brought into today’s reads.

      Liked by 1 person

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